THE HANDSTAND

DECEMBER 2005




Shirana Shahbazi (on the left, here with two volonteers)
working at her wall painting for PRAGUE BIENNALE 2, Karlin Hall, Prague 2005



Before the big show, Karlin Hall, Prague 2005

IT ALL HAPPENS IN PRAGUE 

Political art in Latin America and painting drive the program of Prague Biennale 2

Just a few years ago, Prague may have seemed an unlikely place to hold a
 biennial of international contemporary art, but the first
Prague Biennale, which took place in 2003, brought artists, curators and 
 critics to the city in droves. 
The second edition,  again organized by Flash Art publisher Giancarlo
 Politi and editor Helena Kontova, begins on May 26/27/28 and runs through
September 15. One major change this time around is the new venue, Karlin 
Hall, a spacious post-industral building adapted expressly for
the exhibition.  With its dual focus on painting and on art as political
 action, the Biennale comes with a host of themed  exhibitions organized 
by a diverse group of curators. 
The members of the curatorial team behind “Expanded Painting” - headed up
 by Politi and Kontova - are,  Andrea Bellini, Patricia Ellis,
Power Ekroth, Jacob Fabricius,  Anda Klavina, Pablo Lafuente, Francesco 
Manacorda, Chus Martinez, Neil Mulholland and Eva Wittocx. 
The curators are bringing together work by over 100 artists, illustrating 
the relationship between painting and other mediums such as 
photography and video.
Today painting can be called an  expanded field not only in terms of how 
the medium interacts with other mediums, but also in
terms of its geographical breadth. Intriguing new painters hail from cities
 the world over,  but two points of greatest interest
recently have been the former East Germany and China. 
At the Prague Biennale 2, Johannes Schmidt curates “New German Painting - 
The Leipzig and Dresden ‘schools,’” featuring
more than 20 artists from the new generation of German painters.
Milan-based gallerist Primo  Marella and Francesca Jordan present “CHINA -
  New Perspectives in Chinese Painting.” Curator Luca Beatrice
lends a historical (and locally relevant) angle with a show dedicated to 
the Normal Group, founded in the 1980s by Czech
painters Milan Kunc and Jan Knap with the German Peter Angermann.
There will also be a tribute to the Italian painter Gian Marco Montesano.
Besides painting, the Biennale’s other major focus is the relationship
 between art production and political action in Latin America.
“Acción Directa,” curated by Marco Scotini, presents interventions and 
political actions by artists and “dissidents” from
countries including Peru, Bolivia, Colombia and Nicaragua.
Hanna Wróblewska and Anna Jagiello take an in-depth look at the current 
Polish art scene in “Poland Overview” and Jirí David
and Juraj Carný bring the Prague Biennale closer to home with the Czech 
and Slovak sections.
Other exhibitions filling out the Biennale’s packed roster are “Definition
 of Everyday” curated by Vit Havránek, Karel Císar and
Jan Mancuška; “Street Art,” a project by Christian Schmidt-Rasmussen;
 “Playstation,” which includes Eric Doeringer’s
“bootlegs” of well-known  artists’ works; “Outsider Art,” a gathering of 
British aritsts curated by James Colman; and
“Kinetic Art,” a historical show curated by Getulio Alviani.

 The following artists have contributed tracks to the "Brain Scan Movies" Fibre Culture Press Release

  Cezary Ostrowski
Polska
     
  Jeremy Hight
USA
     
  W. Logan Fry
USA
     
"Scan Loop Symmetry" Jeremy Hight's audio track

composed of electronic loops edited by symmetry and

sound forms to variation of brain scan data of W. Logan

Fry.  Go to:

http://dmoma.org/lobby/movies/brain_scan/the_artists.html

Jeremy Hight is a new media/locative media artist/writer and musician. His music is currently in an international
exhibition/broadcast of experimental music in Cologne, Germany.

A QUESTION
Is Rachel Whiteread's exhibition  of white boxes in Tate Modern a comment
 on the Berlin Holocaust Memorial?


http://www.abcnorio.org/againstthewall/

Three Cities Against the Wall
Ramallah, Tel Aviv, New York

www.3citiesagainstthewall.net

OPENING:
Wednesday November 9 at 7:00pm

VIEWING HOURS:
Sundays noon - 3:00pm
Tues, Thurs & Fri
4:00 - 7:00pm

Through December 8

IN NEW YORK
ABC No Rio
156 Rivington Street
(between
Clinton & Suffolk)
and
6th
Street Community Center
638 East 6th Street

(between Avenues B & C)

IN RAMALLAH:
Al-Hallaj Gallery

IN TEL AVIV:
Beit Ha'omanim
(Artist House)

----------
ARTISTS RESPOND TO THE WALL:
Thursday November 10 at
7:30pm
ABC No
Rio
and
Tuesday November 15 at
7:30pm
VoxPop
1022 Cortelyou Road
Brooklyn

REPORTBACK:
Tuesday November 22 at 7:30pm
ABC No Rio
"Three Cities" artists Sara Danielle Frank
and Tom Lewis will discuss the exhibition
following their return from Ramallah
and Tel Aviv.
----------

Three Cities Against the Wall
Ramallah, Tel Aviv, New York

Art has the possibility to unite different cultures into harmony and to create new options for individuals, in order to live and work together for justice, equality and peace.

Three Cities Against the Wall is an exhibition protesting the Separation Wall under construction by Israel in the Occupied Territories of Palestine. This project involves groups of artists in Ramallah, Palestine; Tel Aviv, Israel; and New York City. The show will be held simultaneously in all three cities in November 2005.

Through this collaborative exhibition, the organizers and participating artists will draw attention to the reality of the Wall and its disastrous impact on the daily lives of hundreds of thousands of Palestinians by the separation of Palestinian communities from each other and from their fertile lands, water resources, schools, hospitals and work places; thereby "contributing to the departure of Palestinian populations," as the International Court of Justice (ICJ) has warned.

The wall also robs and destroys the human spirit. Spiritual and cultural life cannot survive under these conditions, and we, as artists, find it necessary to fight this crime with the means which we posses.

This illegal Wall prevents the possibility of a just solution to the Palestinian-Israeli conflict as based on the universal principles of equality and self-determination. It prolongs this conflict and the suffering that results from it. Therefore we Israeli, Palestinian and American artists resist this wall and its devastating impact, and aim to call attention to the urgency of dismantling the Wall which threatens any peaceful future in both Israel and Palestine for all.

The Separation Wall was found to be illegal by an advisory opinion given by the International Court of Justice (ICJ) at The Hague on July 9, 2004. In its ruling, the ICJ stated: "The construction of the wall being built by Israel, the occupying power, in the Occupied Palestinian Territory, including in and around East Jerusalem, and its associated regime, [is] contrary to international law."

WHO WE ARE
Curatorial and organizing committees for Three Cities Against the Wall, comprised of local artists and activists, have been established in each of the three participating cities. These committees have each invited the participation of numerous artists, each of whom has been asked to provide three works to be exhibited in all three locations.

In Palestine, Tayseer Barakat, founder of the League of Palestinian Artists and curator of Gallery Barakat, and Sliman Mansour are organizing the exhibition. The organizations involved are the League of Palestinian Artists and the Palestinian Association of Contemporary Art (PACA).

In Israel the project is organized by a group of artists and activists that came together to resist the wall through art and culture. Members of the group are also associated with the Israeli Coalition Against the Wall; Taayush; and Anarchists Against the Wall. These groups are very active in protests and projects, both in Israel and Palestine, against the construction of the Wall and the occupation, including protests where there have been many victims, Palestinian, Israeli, and international.

In New York, Three Cities Against the Wall is organized through the arts center ABC No Rio by a committee of artists and activists, a number of them associated with the radical comic magazine World War 3 Illustrated. World War 3 Illustrated was founded in 1979 to oppose the right-wing policies of Ronald Reagan. It has been publishing art and articles in support of the rights of the Palestinian people since 1988, when it published an interview with Naji-Ali. ABC No Rio is a community center for the arts that grew out of the housing struggles on New York's Lower East Side. Many of the organizers in New York participate in the International Solidarity Movement, Women In Black, SUSTAIN (Stop U.S. Tax-funded Aid to Israel Now), International Women's Peace Service, Jewish Alliance Against the Occupation, and other groups opposed to Israel's unjust occupation.

OUR VISION: A WORLD WITHOUT BORDERS
In the process of creating Three Cities Against the Wall, the organizers and participating artists are building networks and creating relationships between their respective communities to oppose both Israel's oppression of the Palestinian people and the Wall as a symbol of that oppression.

Yet while American, Palestinian, and Israeli artists are showing their work together in this exhibition, we understand that the relationship amongst them is not one of equality. The relationship between Palestinians and Israelis has been compared to that between prisoners and guards, with U.S. cittizens as the patrons of this prison. Americans finance Israel through their tax dollars; some also finance Israel through contributions to Zionist organizations. The Wall is horrifying because it casts these relationships in concrete, making Palestinian imprisonment more thorough and more permanent.

Ironically, there is also an opportunity created by the Wall: this physical barrier makes the oppression of Palestinians more visible. Artists can use the Wall as a metaphor to educate the public. We are working together because we understand that, by uniting our voices, we are more likely to be heard and will therefore be better able to inform the public of the true nature of this catastrophic situation. We also want to demonstrate that within the Israeli and the American public there is opposition to the Wall.

We are laying the foundation for building a community of artists across borders, and will demonstrate, through combined effort, our opposition to injustice and oppression on moral and ethical grounds, and because injustice and oppression engender a separation between peoples, preventing normal human communication between them.

We believe that the world of the future is a world without borders. We support the right of a Turk to work in Germany, of a Haitian to seek refuge in the United States, of a Croat to live peacefully in Serbia. Thus we also support the right of a Palestinian, a Jew, or anyone else to live in the city of their choice, to enjoy all the privileges of citizenship there, and to travel freely to and from their chosen place of residence. This is not a radical demand but a natural human expectation. The attempts of 20th century governments to control demographics through genocide, forced transfer and other coercive means have been a disaster and such policies must be discarded. It is tragic that at a time when governments in Europe are discussing the possibility of open borders, Israel is building a border of cement and steel. We oppose the Wall because it is a wall against the future.



Three Cities Against the Wall is funded, in part, through funds from the Wallace Global Fund, the Dedalus Foundation, the AJ Muste Memorial Fund, and the New York State Council on the Arts.

Exhibition catalogue published by VoxPop Press.


the cloud appreciation society

manifesto of the day- quote: At the cloud appreciation society we believe that clouds are unjustly maligned and that life would be immeasurably poorer without them. We pledge to fight ‘blue-sky thinking’ wheresoever we find it. Life would be dull if we had to look up at monotonous blue every day. We acknowledge that the clouds are the most egalitarian of Nature’s displays since everyone has an equally fantastic view of them. We fear that they are so everyday as to be in danger of being overlooked. And so we seek to remind people that the clouds are expressions of the atmosphere’s moods that can be read like those of a person’s countenance. We’re in danger of becoming meteorologically autistic – of becoming ignorant of the meanings of these expressions. They are the Rorschach images of the sky, and if you consider the shapes you see in them you will save on psychoanalysis bills.

posted by jmorrison

www.cloudappreciationsociety.org


A ‘tuba’ is when a cloud extends a finger towards Earth. Young children often yearn to reach up and touch the soft mounds of a fair-weather Cumulus. So who can blame a cloud for wanting to know what the ground feels like?

It does have to get worked up into a vigorous spin, however, before it can summon the energy to do so. In and around the intense downdrafts associated with large Cumulonimbus and Cumulus congestus clouds, a vortex of swirling air can develop – like that of water draining down a plughole. The air in the center drops in pressure as a result of all the spinning, which can make it cool enough for some of its water vapour to combine into droplets.

Like the swirling digit forming above, tuba are columns or cones of cloud extending down the middle of these vortices. They do not always end up reaching the surface, however. More often than not, the cloud loses heart before touching terra firma. Maybe it knows that, in another guise – on a different day – it will return as fog or mist, only to hug the ground until it is heartily sick of it.